Dublinesque by Enrique Vila-Matas
Author:Enrique Vila-Matas [Vila-Matas, Enrique]
Language: eng
Format: epub, azw3
Tags: Fiction, Literary
ISBN: 9780811219617
Google: FJwUKYzn3SYC
Amazon: 0811219615
Publisher: New Directions
Published: 2012-06-26T16:00:00+00:00
They go to the cliffs of Moher rising out of the mist,
Above the real,
Rising out of present time and place, above
The wet, green grass.
This is not landscape, full of the somnambulations
Of poetry
And the sea. This is my father or, maybe,
It is as he was,
A likeness, one of the race of fathers: earth
And sea and air.
There’s Dublin, slightly hazy in the middle of the bay. A girl goes by with a portable radio playing “This Boy,” by The Beatles. And the song gives him a sudden feeling of nostalgia for the time when he too was close to the “race of fathers.” He’s not young anymore and doesn’t know if he can bear such beauty. He looks at the sea again. He takes a few steps toward the rocks and immediately feels that he ought to stand still, because if he keeps on walking he’ll probably end up staggering along, blinded by tears. It’s a secret emotion, hard to communicate. Because how can he tell the truth and let his friends know he’s fallen in love with the Irish Sea?
This is my country now, he thinks.
He’s so absorbed in all of this that Ricardo has to shake him awake, blowing the smoke from his Pall Mall into Riba’s face.
“What are we up to?” his friend asks.
Riba looks at Ricardo, his flowery, Polynesian-patterned shirt. He finds him ridiculous. He imagines him dressed this way in the Austers’ house.
Before, when he drank, Riba didn’t distinguish between strong and weak emotions, or between friends and enemies. But his recent lucidity has slowly given him back his capacity for boredom, and also for excitement. And the Irish Sea — over which he now imagines a great mass of gray clouds with silver edges floating — seems to him the most superb incarnation of beauty, the highest expression of that which disappeared from his life for so long and which now — it’s never too late — he has found all at once, as if he were in the middle of a great storm, feeling like a man who senses his life is going downhill, yet is faced with the unmistakable beauty of a gray sea edged with silver, and which he’ll never forget as long as his memory serves him.
He recalls some words of Leopardi’s that have been with him for years. The poet said that the view of the sky is perhaps less enjoyable than that of the land and the fields, because it’s less varied, and also far from us, not a part of us, belonging less to what is ours. . . . And nonetheless, if the view of the Irish Sea has moved Riba, it’s precisely because he doesn’t feel it’s his, it doesn’t belong to his world at all, it’s strange to him; it’s so different from his universe that it’s touched him inside leaving him deeply moved, a prisoner of a foreign sea.
Themes: All banal. Excessive hunger, for instance, which has taken hold of the group and made them desperately start looking for a place to have lunch.
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